Poor Art – Rich Legacy

This thematic exhibition of works from the collection concentrates on the arte povera movement, which is central to the museum’s collecting policy. This makes it a highly appropriate subject for this exhibition, twenty-five years after the Museum of Contemporary Art first opened its doors. The museum’s collection started out with 2,500 works from the period after 1945 that were transferred from the National Gallery and Riksgalleriet (Norway’s touring art gallery). It now contains more than 5,000 items by Norwegian and international artists.

This is the last time these treasures will be displayed in the venerable, former Norwegian Bank building, prior to our move to the new National Museum at Vestbanen. In addition to the many arte povera works, the exhibition includes examples of related contemporary practices such as conceptual art, land art and post-minimalism. It also features recent works that illustrate how the art debates of the 1960s have influenced younger generations of artists.

Viewers will have the opportunity to become reacquainted with Gilberto Zorio’s installation Untitled (Canoe), a curious amalgamation of energy, alchemy, bubbly chemistry and insistent sound, as well as Michelangelo Pistoletto’s notorious installation Image and Body, consisting of old museum furniture that has been turned upside down. The audience will also be able to experience Mario Merz’ beautiful igloo, a large glass and neon installation with fragrant twigs.

Poor Art
The basis for Arte Povera was furnished by the political protest movements of the late 60s – student revolts and civil rights efforts, and a general opposition to consumerism and the increasing commercialisation of the art world. The term arte povera was introduced by the Italian art critic Germano Celant, who organised the exhibition “Arte Povera – Im Spazio” together with a small group of young Italian artists in 1967. Artists such as Michelangelo Pistoletto, Giovanni Anselmo, Pier Paolo Calzolari, Jannis Kounellis, Giulio Paolini, Guiseppe Penone, Gilberto Zorio and Mario Merz represented something new and groundbreaking. With an artistic practice closely related to American conceptual art, anti-form and process art, they exploited contemporary forms of expression such as happenings and installation art to the fullest extent.

The approach taken by Arte Povera artists was at once conceptual and sensual, poetic and earthy. Their themes and comments included past and present, nature and culture, and “high” and “low” art. A number of these works had a particular appeal to the senses: smell, touch, light and temperature. The artists worked with various different materials, combining industrially manufactured objects such as neon lights, glass and clothes with natural organic materials such as vegetables, living animals, earth, fire and water. Arte Povera is neither poor nor impoverished art, but art created in complete freedom and openness regarding materials and processes.

Rich Legacy
Arte Povera’s conceptual views, approach to materials and working processes have influenced contemporary artists for the past 40 years. This is reflected in the history of the museum’s collection, which includes both acquisitions of significant Arte Povera works, as well as related practices within land art, post-minimalism and conceptual art. The rich legacy of Arte Povera’s influence resonates clearly in a number of more recent Norwegian and international works of art. A walk through the exhibition will allow the audience to experience the museum’s Arte Povera works, and compare and discover parallel practices such as Camilla Løw’s and Kristina Bræin’s play with minimalism, Ida Ekblad’s sculptures assembled from found garbage, the “formlessness” of Camilla Wærenskjold and Jeannette Christensen, and a critical and conceptual approach in the works of Matias Faldbakken, Gerard Byrne and Mario García Torres.
Permanent installations

The museum’s permanent installations are also part of the exhibition. In the square outside the museum’s entrance, the audience can view Richard Serra’s towering sculpture Shaft (purchased in 1992), Per Inge Bjørlo’s installation Inner Room V by the ground floor staircase (purchased in 1990), Ilya Kabakov’s installation Garbage Man (The Man Who Never Threw Anything Away, acquired in 1994), and Louise Bourgeois’ Cell VIII.

Until 28-2-2016

Curated by: Sabrina van der Ley, Randi Godø and Andrea Kroksnes

National Museum of Norway
The Museum of Contemporary Art
Bankplassen 4
Oslo
Hours: Tuesday–Friday 11–17h
Thursday 11–19h, Saturday–Sunday 12–17

Italian and british artists meet Milan

La collettiva presentata in occasione dell’Expo di Milano vuole approfondire l’idea che un artista italiano e uno inglese (di nascita ma anche per cultura) hanno dell’Italia. L’intento della mostra è quello di indagare se esistano ancora degli elementi che caratterizzano l’Italia all’estero e di individuare che cosa evocano il Bel paese e gli italiani nell’immaginario internazionale.
Inoltre, questa mostra ha lo scopo di fare interagire tra di loro artisti inglesi e italiani, per comprendere se la globalizzazione sia in grado di uniformare gli usi e costumi delle popolazioni, cancellando così abitudini, tradizioni e stili di vita unici.
Il messaggio ambivalente del concept è interpretato da artisti che, oltre a vivere in Paesi differenti, hanno età e percorsi lavorativi differenti.
Lo spazio espositivo, ospitato all’interno di una ex fabbrica di oreficeria milanese degli anni Cinquanta, stimola gli artisti a dialogare con il luogo, il quale inevitabilmente li porta a confrontarsi con il mondo storico dell’artigianato italiano.

mostraitalialondra

La Memoria ritrovata. L’arma e lo scrigno dei tesori recuperati

Si tratta di un’esposizione di dipinti e reperti archeologici recuperati grazie all’azione investigativa del Comando Carabinieri Tutela Patrimonio Culturale, l’organo di diretta collaborazione del Ministro dei beni e delle attività culturale e del turismo con compiti concernenti la sicurezza e la salvaguardia del patrimonio culturale nazionale.
Sarà possibile ammirare oltre cento opere di diversa tipologia, varia epoca e provenienza che, nel tempo, sono state oggetto di furti, sottrazioni, scavi clandestini o vendite illecite, ma che l’attività dei Carabinieri ha permesso di recuperare e restituire alla comunità.
Tra i dipinti spiccano per valore e importanza il celebre ritratto “La Muta” di Raffaello Sanzio, una natura morta di Paul Gauguin, Il Giardiniere di Vincent Van Gogh, alcune tele del ‘400, ‘500 e ‘600 italiano. Un’ampia sezione, invece, è dedicata all’archeologia con un grosso spazio riservato alla civiltà nuragica.

L’ingresso è libero e l’accesso sarà consentito per gruppi di massimo 30 persone per volta.
Where: Cagliari, Spazio espositivo antiche Carceri di San Pancrazio, Cittadella dei Musei. Until 15 October, 2015.

tesoriritrovati

[Red]

El Lissitzky. Irish Museum of Modern Art

IRISH MUSEUM OF MODERN ART – IMMA (Dublin)

The Artist and the State. A significant body of works of one of the most influential authors of the 20th century, with the work of Rossella Biscotti, Nuria Guell, Sarah Pierce and Hito Steyerl, who reflects on the position of the artist within contemporary society.
Until October 18, 2015

el-lissitzky proun_1_big

[Red]